OF CATS AND CUFFS

INTRO.
EXT.
STREET.

(THE CREDITS ROLL THROUGHOUT THIS SCENE.

CAMERA FLIES DOWN TO STREET LEVEL. IT'S A COLD, WINTER NIGHT AND THE CITY IS VIRTUALLY DESERTED. IN A FLAT ABOVE A PET SHOP, A LIGHT IS ON AND THE CURTAINS ARE HALF-OPEN. WE SEE A YOUNG WOMAN BRUSHING HER BLONDE HAIR IN FRONT OF A MIRROR. SHE TAKES OFF HER NIGHTIE BUT WE ONLY SEE HER BARE BACK AS SHE WALKS BEHIND THE CLOSED CURTAIN - WE CAN ONLY SEE HER SILHOUETTE NOW. WE CAN JUST MAKE OUT HER DRESSING IN A CATSUIT COMPLETE WITH MASK. SHE CLOSES THE OTHER CURTAIN, GIVING US A BRIEF GLIMPSE OF HER BEFORE SHE TURNS OUT THE LIGHT.)

SCENE 1.
INT.
BEDROOM.

(LARGE, WELL-FURNISHED BEDROOM WITH MAHOGANY DRESSER AND DRAWERS, AND A DOUBLE-BED WITH A WROUGHT-IRON HEAD AND FOOT. THE CURTAINS ARE CLOSED AND THE LIGHT ON THE BEDSIDE TABLE IS ON. TINA IS LYING ON THE BED IN HER CLOTHES, NAPPING. SHE IS IN HER MID-TWENTIES AND GOOD-LOOKING, WITH LONG BROWN HAIR. THERE IS AN OPEN BOOK ON HER CHEST.

THE PHONE, ON THE BEDSIDE TABLE, RINGS, STARTLING HER. SHE SITS UP, RUBS HER EYES AND ANSWERS IT.)

TINA: Hello?

SCENE 2.
INT.
OFFICE.

(PLUSH PRIVATE OFFICE, WELL-LIT. DOMINATED BY A LARGE DESK IN THE CENTRE, BEHIND WHICH SITS LUKE. HE'S ALSO IN HIS MID-TWENTIES, CLEAN-SHAVEN, SMART AND HANDSOME. HE IS WEARING A SUIT, AND IS TALKING ON THE PHONE.)

LUKE: Tina, it's me. I'll be home in about an hour or so. Do you think that you'll be ready for my arrival?

(HE PAUSES TO LISTEN TO HER REPLY. JILL, A BLONDE AND SMARTLY-DRESSED SECRETARY, ENTERS QUIETLY AND PLACES A CUP OF TEA ON HIS DESK. HE WINKS AT HER AND GAZES AT HER LEGS AS SHE LEAVES.)

LUKE: Good, I'll see you at 6. Love you!

SCENE 3.
INT.
BEDROOM.

TINA: Love you too! Bye!

(SHE REPLACES THE HANDSET AND SMILES. SHE CAREFULLY CLOSES HER BOOK, PUTS IT ON THE BEDSIDE TABLE AND STANDS. SHE CROSSES TO THE WARDROBE AND GETS A CARDBOARD SHOEBOX FROM THE BOTTOM. SHE PLACES IT ON THE BED, OPENS IT AND PULLS OUT THREE PAIRS OF HANDCUFFS, A LENGTH OF CHAIN, A PADLOCK, A BALLGAG, A BLINDFOLD AND TWO KEYS, PLACING THEM ALL CAREFULLY ON THE BED.)

TINA: This will be a night to remember...

(SHE CLOSES THE BOX AND PUSHES IT UNDER THE BED. SHE WRAPS THE CHAIN AROUND THE MIDDLE OF THE HEADBOARD TO FORM A LOOP RUNNING FROM THE HEADBOARD TO THE MIDDLE OF THE BED, AND USES THE PADLOCK TO CLOSE THE LOOP. SHE PUTS ONE PAIR OF HANDCUFFS NEXT TO THE CHAIN ALONG WITH THE BALLGAG AND BLINDFOLD. THE OTHER TWO PAIRS OF HANDCUFFS GO ON THE FLOOR NEXT TO THE FOOT OF THE BED, AND THE KEYS GO ON THE BEDSIDE TABLE.)

TINA: Definitely a night to remember.

(SHE WALKS TO THE ENSUITE BATHROOM.)

SCENE 4.
INT.
BEDROOM.

(TINA EMERGES FROM THE ENSUITE DRESSED IN JUST A TOWEL. SHE FINISHES DRYING HERSELF AND HEADS FOR HER UNDERWEAR DRAWER. SHE DRESSES IN BLACK STOCKINGS AND SUSPENDERS, AND A PAIR OF BLACK HIGH-HEELED SHOES AND BLACK ELBOW-LENGTH GLOVES FROM THE WARDROBE. SHE ADMIRES HERSELF IN THE MIRROR WHEN SHE'S FINISHED DRESSING.)

TINA: Perfect.

(SHE WALKS OVER TO THE TELEPHONE AND ACTIVATES THE ANSWERPHONE. SHE THEN STANDS AT THE FOOT OF THE BED, FACING THE BED. SHE KNEELS AND ATTACHES ONE OF THE PAIRS OF HANDCUFFS TO THE FOOT OF THE BED AND HER ANKLE.)

TINA: Now I'm past the point of no return...

(SHE QUICKLY STANDS AND ATTACHES THE OTHER PAIR OF HANDCUFFS TO THE OTHER FOOT OF THE BED AND HER OTHER ANKLE... MEANING THAT HER FEET ARE NOW SPREAD FAR APART. SHE LEANS OVER THE BED AND PICKS UP THE BALLGAG - SHE PULLS IT INTO HER MOUTH AND FASTENS IT IN PLACE.)

TINA: Mmmmph!

(SHE THEN PICKS UP THE BLINDFOLD AND PLACES IT OVER HER EYES. LASTLY, SHE REACHES FOR THE LAST PAIR OF HANDCUFFS AND THE CHAIN - SHE HAS TO STRETCH TO REACH THEM. SHE ATTACHES THE HANDCUFFS TO HER RIGHT WRIST, WRAPS THE HANDCUFF CHAIN AROUND THE LOOPED CHAIN AND ATTACHES THE OTHER CUFF TO HER LEFT WRIST... SO SHE'S NOW STRETCHED, HER HANDCUFFS AFFIXED BY A CHAIN TO THE HEAD OF THE BED WHILE HER ANKLES ARE CUFFED TO THE BOTTOM OF THE LEGS OF THE BED. THE KEYS ARE BENEATH HER HANDS, ON THE BED, JUST WITHIN HER REACH.

SHE WRIGGLES AND MOANS.

SHE JUMPS (AS FAR AS SHE IS ABLE) WHEN THE PHONE RINGS. EVENTUALLY, THE ANSWERPHONE KICKS IN.)

ANSWERPHONE: Hello, this is Luke and Tina. We can't come to the phone right now but, if you leave a message, we'll get back to you as soon as possible.

LUKE (OVER THE PHONE): Hello? Tina? I'm afraid that something's come up. I'm going to be a little later than expected. Don't worry, I'll try to be home as quickly as possible. Love you!

(TINA WRIGGLES EVEN HARDER, STRUGGLES AND THEN SIGHS, RELAXING.)

SCENE 5.
INT.
OFFICE.

(LUKE PUTS DOWN THE PHONE AND SMILES. THE BLONDE HAIR OF THE SECRETARY EMERGES FROM BEHIND THE DESK. HE LOOKS DOWN AT HER.)

LUKE: Don't stop now!

(HE GENTLY PUSHES HER BACK DOWN IN THE DIRECTION OF HIS CROTCH.)

SCENE 6.
INT.
BEDROOM.

(TINA IS STILL BENT FORWARD OVER THE BED IN THE SAME POSITION, MOVING A LITTLE TO RELIEVE CRAMPS AND SO ON. THERE IS A SLIGHT SCRAPING SOUND BRIEFLY FROM OUTSIDE AND SHE TURNS HER HEAD QUICKLY - BUT WITH HER BLINDFOLD ON, SHE DOESN'T SEE ANYTHING. EVENTUALLY SHE SHRUGS HER SHOULDERS - WHICH ISN'T A MAJOR MOVEMENT, GIVEN HER POSITION - AND RELAXES AGAIN.

THERE IS ANOTHER SCRAPING SOUND FROM OUTSIDE, FOLLOWED BY THE SOUND OF A WINDOW OPENING. THE CURTAINS BILLOW INTO THE ROOM AS THE GIRL FROM THE INTRODUCTION, STILL IN HER CATSUIT, ENTERS. UPON HEARING HER ENTER, TINA QUICKLY REACHES FOR THE KEYS AND FUMBLES WITH THEM AND HER HANDCUFFS...)

BURGLAR: Well, well, well, what do we have here?

(THE BURGLAR QUICKLY CROSSES THE ROOM AND SNATCHES THE KEYS FROM TINA, PLACING THEM ON THE BEDSIDE TABLE. SHE THEN WALKS AROUND THE BED, TAKING IN TINA'S SITUATION - TINA TURNS HER HEAD TO TRY AND PINPOINT WHERE THE BURGLAR IS.)

BURGLAR: Christmas has come early...

(THE BURGLAR RAISES HER HAND AND SLAPS TINA'S BOTTOM, HARD. TINA MOANS LOUDLY INTO HER GAG AND BEGINS TO STRUGGLE VIOLENTLY, BUT TO NO AVAIL.)

BURGLAR: I'll come back to play with you later, dear...

(AND WITH THAT PARTING REMARK, SHE EXITS VIA THE BEDROOM DOOR.)

SCENE 7.
INT.
OFFICE.

(LUKE IS SITTING ON HIS CHAIR AND THE SECRETARY IS STRADDLING HIM. THE ONLY LIGHT NOW COMES FROM A DESKLAMP. THEY ARE KISSING VERY PASSIONATELY AND REMOVING THE CLOTHING FROM EACH OTHERS' TOP HALF. LUKE STANDS, LIFTING UP THE SECRETARY WHILE USING HIS SPARE HAND TO CLEAR A SPACE ON HIS DESK. HE LOWERS HER GENTLY ONTO IT AND CLIMBS ON TOP, KISSING HER NECK AS HER HANDS ROAM THE DESK AND ACCIDENTALLY KNOCK THE LAMP ONTO THE FLOOR... AND DARKNESS.)

SCENE 8.
INT.
BEDROOM.

(TINA HAS STOPPED STRUGGLING SO MUCH, BUT SHE IS STILL PULLING AT HER BONDS. THE BEDROOM DOOR OPENS AND THE BURGLAR RETURNS, WITH SOME LARGE BLACK BAGS FULL OF TINA AND LUKE'S POSSESSIONS - AS SHE PUTS THEM DOWN, SOME OF THEM SPILL OUT ONTO THE FLOOR.)

BURGLAR: Still here, I see...

(TINA STRUGGLES HARD AGAIN BUT FREEZES WHEN THE BURGLAR PUTS A HAND ON HER BUTTOCK.)

BURGLAR: Don't worry, you'll be quite safe...

(THE BURGLAR KNEELS BEHIND HER AND BEGINS TO SOFTLY KISS HER INNER THIGH, HER HANDS GRIPPING HER LEGS AS SHE MOVES UP. TINA STRUGGLES AGAIN BUT HER STRUGGLES GET MORE RHYTHMIC ONCE THE BURGLARS TONGUE BEGINS TO THRUST INTO HER. THIS CONTINUES UNTIL SHE ORGASMS. THE BURGLAR STANDS, LICKING HER LIPS.)

BURGLAR: You can't deny that you enjoyed that... so I think that you're now obliged to return the favour...

(SHE REACHES FOR THE ZIP AT THE FRONT OF HER CATSUIT AND BEGINS TO UNZIP, REVEALING A DISTINCT LACK OF BRA. SHE STOPS SUDDENLY, HEARING SOMETHING. THE DOOR OPENS AND LUKE WALKS IN - HE SEES TINA ON THE BED, THE BURGLAR IN THE MIDDLE OF THE ROOM, THE OPEN WINDOW AND THE PILE OF SWAG ON THE FLOOR.)

LUKE: What's going on in here?

(THE BURGLAR MAKES A DASH FOR THE WINDOW AND LUKE PURSUES. SHE GETS HALFWAY OUT BUT HE GRABS HER WRIST AND PULLS HER BACK INTO THE ROOM. SHE TRIES TO CLAW AT HIS FACE BUT HE SPINS HER ROUND AND PINS HER DOWN ON THE FLOOR, STRADDLING HER BACK. SHE STRUGGLES AS HE REACHES UNDER THE BED AND PULLS OUT THE BOX THAT TINA PUSHED THERE EARLIER. HE CUFFS HER WRISTS BEHIND HER AND THEN CUFFS HER ANKLES TO HER WRISTS, PUTTING HER IN A PAINFUL HOGTIE. SHE TRIES TO SCREAM BUT HE PUTS ONE HAND OVER HER MOUTH BEFORE PULLING A RING-GAG INTO PLACE. HE GETS UP, DUSTS HIMSELF OFF AND WATCHES HER STRUGGLE.)

BURGLAR: Mmmmmph!

(IGNORING HER, HE TURNS TO TINA. HE STROKES HER BOTTOM AND HIS FINGERS DELVE INTO HER.)

LUKE: You've been enjoying yourself, haven't you? Well, waste not want not...

(HE UNDOES HIS TROUSERS AND TAKES HER FROM BEHIND! IN THE BACKGROUND, THE BURGLAR CONTINUES TO STRUGGLE. LUKE PULLS OUT WITHOUT ORGASMING AND STEADIES HIMSELF ON THE FOOT OF THE BED.)

LUKE: I don't want to come just yet... I feel that our guest needs a gift to remember me by.

(HE SITS ON THE FLOOR IN FRONT OF THE BURGLAR'S FACE, HIS LEGS ON EITHER SIDE OF HER, AND PULLS HER FACE DOWN TOWARDS HIS COCK. SHE HAS NO CHOICE BUT TO GIVE HIM ORAL SEX - WHILE SHE STRUGGLES - UNTIL HE ORGASMS!)

LUKE: Wow, heaven...

(HE FASTENS HIS TROUSERS AGAIN AND ROLLS THE BURGLAR ONTO HER SIDE. HE UNZIPS HER COSTUME TO THE WAIST AND PULLS IT AWAY FROM HER SHOULDERS AND BREASTS. SHE CONTINUES TO STRUGGLE THROUGH ALL OF THIS.)

LUKE: I feel I ought to return the favour.

(HE PLAYS WITH HER NIPPLES AND MOVES ONE HAND DOWN HER TUMMY TO PLAY WITH HER MORE PRIVATE PARTS. SHE STRUGGLES VIOLENTLY UNTIL SHE COMES.)

(LUKE LEAVES THE BURGLAR WHERE SHE IS AND RETURNS TO TINA. HE REMOVES HER GAG AND BLINDFOLD. SHE TAKES A FEW SECONDS TO LOOK AROUND HER AND SMILES WHEN HER EYES FALL UPON LUKE.)

LUKE: What's going on here?

TINA: I have no idea...

(SHE IS INTERRUPTED BY LUKE SPANKING HER BOTTOM.)

TINA: Ow!

LUKE: You can do better than that - why were you so wet when I came in?

TINA: Err... I thought she was you...

LUKE: Okay... I'll believe you.

(HE RELEASES HER OF HER BONDS. RUBBING HER HANDS, SHE GOES TO HER UNDERWEAR DRAWER AND PULLS A BLACK G-STRING OVER HER OTHER CLOTHES TO COVER HER PRIVATE PARTS.)

TINA: Thanks, Luke. I was scared...

LUKE: I don't think you were scared. I think you were aroused.

TINA: Whatever it was, we still have to decide on what to do about her.

(THEY BOTH LOOK AT THE BOUND BURGLAR ON THE FLOOR.)

TINA: I have an idea...

(THE BURGLAR STRUGGLES AS TINA PUTS THE CARDBOARD BOX ON THE BED AND FETCHES SOME MORE TOYS FROM IT. LUKE WATCHES TINA FOR A SECOND AND BEGINS TO SMILE BROADLY.)

LUKE: I know what you're thinking...

(LUKE CROUCHES ON THE FLOOR NEXT TO THE BURGLAR AND UNZIPS HER CATSUIT EVEN FURTHER, PULLING IT DOWN TO HER WRISTS AND KNEES. SHE IS NOW VERY EXPOSED, AND STILL STRUGGLING. TINA HANDS LUKE A BLACK LEATHER COLLAR AND HE FASTENS IT AROUND THE BURGLAR'S NECK.)

TINA: Very nice... it suits her. All cats should be collared.

(TINA HANDS LUKE A PAIR OF NIPPLE CLAMPS, WHICH HE DULY APPLIES TO THE BURGLAR. TINA THEN HANDS LUKE A VERY LARGE VIBRATOR WHICH HE EASILY PUSHES INTO THE BURGLAR'S WET PUSSY. TINA THEN HANDS LUKE A BUTT-PLUG, WHICH HE ALSO MANAGES TO INSERT. THE BURGLAR IS STRUGGLING FURIOUSLY AND MAKING A LOT OF NOISE IN THE GAG.)

TINA: Just one last touch, I think...

(TINA HANDS LUKE A PADLOCK AND PUTS THE BOX BACK UNDERNEATH THE BED. AS LUKE BEGINS TO PULL THE BURGLAR'S CATSUIT BACK ONTO HER, TINA REACHES DOWN AND SWITCHES THE VIBRATOR ONTO IT'S HIGHEST SETTING. TOGETHER, THEY PULL THE BURGLAR'S CATSUIT ONTO HER AND ZIP IT UP ALL THE WAY TO THE COLLAR. LUKE THEN PUSHES THE PADLOCK THROUGH THE COLLAR BUCKLE AND THE CATSUIT ZIP, EFFECTIVELY LOCKING THE BURGLAR INTO HER CLOTHES!)

LUKE: That is so sexy...

(TINA FETCHES THE KEYS TO THE HANDCUFFS AND RELEASES THE BURGLAR'S ANKLES. THEY HELP THE UNSTEADY BURGLAR TO HER FEET. LUKE REMOVES THE BURGLAR'S GAG. SHE HAS TROUBLE SPEAKING DUE TO THE INTERESTING SENSATIONS FROM INSIDE HER CATSUIT.)

BURGLAR: What are you... going to do... with me?

(LUKE AND TINA LOOK AT EACH OTHER WITH A SMILE. TINA OPENS THE WINDOW AND LUKE HELPS THE BURGLAR OUTSIDE.)

LUKE: We're letting you go.

TINA: Just don't come back.

BURGLAR: But what about... what about... your toys?

LUKE: Keep 'em.

(TINA REACHES OUT OF THE WINDOW TO REMOVE THE BURGLAR'S HANDCUFFS. SHE IS NOW FREE... APART FROM BEING LOCKED INTO HER CATSUIT, OF COURSE. SHE FEELS HER BREASTS, CROTCH AND ASS, AS IF TRYING TO REMOVE THE TOYS FROM THE OUTSIDE. LASTLY, SHE FEELS THE PADLOCK AT HER THROAT.)

BURGLAR: How am I to get out of my clothes?

TINA: You'll find a way - goodnight!

(LUKE QUICKLY CLOSES THE WINDOW AND THE CURTAINS. TINA AND LUKE EMBRACE, KISS AND HEAD FOR THE BED, TURNING OFF THE LIGHT AS THEY GO.)